Your Youngstown Symphony Presents Shakespeare In Love: Romeo & Juliet
Saturday, February 15, 2025
7:30 PM
The Florence and Ward Beecher Box Office is open to phone sales only
Monday to Friday: 10:00am to 5:00pm
Saturday and Sunday: Closed
Contact: 330-259-9651
In-person ticket sales will be available at the DeYor Performing Arts Center during business hours, or 1 hour prior to performances at Stambaugh Auditorium.
For most events, the exterior doors will open one hour prior to the scheduled event start time.
The Elevator is located in the south west corner just inside the ADA / Garden Entrance on the left.
Restrooms may be found on all levels. Accessible (ADA) restrooms may be found off of the ground floor (Ballroom) lobby & across from the elevator on the balcony/third level.
All parking is free for Stambaugh Auditorium Events. Please call ahead for ADA Parking.
ADA Seating:
There is ADA accessible seating for all events. ADA accessible seating in the Concert Hall is available on the main floor only. Balcony & Gallery are not ADA accessible. Please call the box office if ADA accessible seating is needed.
Events and prices are subject to change or cancellation. Ticket Service Fees of up to $6.00 may be assessed to the face value of each ticket purchased. All sales are final. Tickets cannot be refunded, returned, or exchanged. Other restrictions may apply.
1000 Fifth Avenue.
Youngstown, Ohio 44504
This captivating program, featuring soprano Avery Boettcher, traverses the emotional landscapes of love and fate through music. Beginning with Tchaikovsky’s powerful Romeo and Juliet Fantasy Overture, the evening continues with evocative arias by Gounod, Verdi, Puccini, and others, highlighting Avery’s vocal range and expressiveness. The performance concludes with Prokofiev’s selections from Romeo and Juliet, finishing a night replete with the most impassioned pieces of classical music.
Erik Ochsner, Guest Conductor
Conductor Erik Ochsner returns to the Youngstown Symphony to lead the last three concerts of the 2024-2025 season. Ochsner is considered by audiences and critics alike to be one of the leading film-with-live-orchestra conductors due to his energy, attention to detail, and precise synchronization. his versatility as a conductor has stretched across a broad range of repertoire: from conducting as few as five performers in contemporary and modern works, to leading 300 performers in Live to Projection film concerts. Ochsner is Founder and Music Director of SONOS Chamber Orchestra (New York City), which has commissioned a new work fr three actors and orchestra called Grandfather Camp: An Orchestral Fantasy based on the writings of Erik’s former close friend and neighbor, Dr. Ruth Westheimer. The story celebrates the value and various styles of grandparenting!
November 2024 performances in Montreal of Tim Burton’s Nightmare Before Christmas, earned high praise: “Erik Ochsner, with surgical precision and palpable passion, guided the orchestra through the twists and turns of this complex score” (ATUVU.ca)
In Youngstown, Ochsner has led Ghostbusters Live in Concert; “Musical Titans” featuring the music of Strauss, Mozart, and Mahler; Home Alone Live In Concert; Unknown and Gorgeous: River and Iron, featuring the music of Copland, Kapp (US premiere), Mosov, Klami (US premiere), Boyer, Picker, and Respighi; and a concert alongside The Vindys; and most recently, Back to the Future Live In Concert.
Ochsner just returned from Warsaw, Poland where he conducted 20 suites of music in a private concert with Beethoven Academy Orchestra and four vocal soloists. Upcoming concerts include 3 performances each of The Lion King and Frozen in Saudi Arabia!
Ochsner was invited to conduct the world premiere of Mary Poppins in Concert (1964) at the Sydney Opera House; was Principal Touring Conductor of La La Land Live in Concert, for which he conducted 50 performances of Justin Hurwitz’s Academy Award and Grammy Award winning score across the globe. On only 40 hours’ notice, he flew to Taiwan to conduct Beauty and the Beast In Concert to fill in for an ailing colleague! Last spring, he flew to Louisville on 2 days’ notice to conduct Star Wars in Concert Episode 7: The Force Awakens to fill in for an ailing colleague.
In 2023 he conducted a Dia de los Muertos concert with the South Bend Symphony.
Ochsner’s long relationship with the Krakow International Film Music Festival has been hugely successful leading sold-out performances in a 16,000-seat arena of Pixar in Concert, Frozen, Beauty and the Beast, and The Lion King (all performed in Polish), plus Disney in Concert: The Magic of Music with the Krakow Film Festival Youth Orchestra.
Other films he has conducted: Batman, Bugs Bunny at the Symphony, E.T. the Extra-Terrestrial, Lord of the Rings: Fellowship of the Ring, Love Actually, Pirates of the Caribbean, Star Trek (2009), Star Trek Into Darkness, Star Wars in Concert Episode 4: A New Hope, Star Wars in Concert Episode 5: The Empire Strikes Back, Star Wars in Concert Episode 6: Return of the Jedi, and Star Wars in Concert Episode 7: The Force Awakens.
Equally comfortable on the concert stage or leading opera, oratorio, and multi-media performances, he has performed in Adelaide, Athens, Beijing, Calgary, Dallas, Detroit, Indianapolis, Jakarta, Kitcherner-Waterloo, Krakow, Leipzig, Louisiana, Louisville, Melbourne, México City, Montreal, Moscow, Nashville, New York, Ottawa, Portland, Reykjavik, Richmond, Rochester, Round Top, San Francisco, Seattle, Shanghai, Sofia, St. Louis, St. Petersburg, Stockholm, Sydney, Taipei, Tampere, Tokyo, Vancouver, and Wellington, NZ.
Ochsner premiered The Music of Star Wars with the National Arts Centre Orchestra in Ottawa, a full-length evening production featuring the music of John Williams and video game composer Gordy Haab plus the Canadian performers Charlie Ross (“The One-Man Star Wars”) and Émilie Fournier; was Music Director and conductor of the 2017 Opera America New Works Showcase, and was a Guest Conductor at the Nanjing (China) Forest Music Festival. Recordings include Brian Wilbur Grundstrom: An Orchestral Journey (CD), and Tan Dun’s Tea: A Mirror of Soul (DVD). He served as Artistic Advisor to Schirmer Theatrical. Ochsner attended The Pierre Monteux School, is a graduate of Dartmouth College, and is a proud Finnish-American dual citizen. He lives in New York City, loves traveling, wine, and collecting requiem recordings.
www.erikochsner.com
Facebook, Instagram, Twitter
Guest Artist Avery Boettcher
This season, Ms. Boettcher makes her Mexican debut reprising the role of Donna Elvira in Don Giovanni with the Sociedad Artistico del Tecnológico in Monterrey Mexico, in a collaborative production with Teatro Grattacielo. She also joins El Paso Opera for the Encores & Overtures Gala as the featured soloist to celebrate the company’s 30th anniversary. Ms. Boettcher will return to perform with the Panama City Symphony Orchestra as the featured soloist for their Bella Notte concert and Viva Italia! Gala. She will then make her debut with Pacific Opera Project, taking on the role of Rosalinde in Die Fledermaus, followed by another role and company debut performing Gretel in Hansel & Gretel with Opera Tampa. She will then perform the role of Dot/Marie in Sondheim’s Sunday in the Park with George with El Paso Opera later in the spring.
The 2022/2023 season saw Ms. Boettcher making her company debut with Vero Beach Opera, reprising the role of Adina in L’elisir d’amore. She then portrayed Violetta Valéry in a concert presentation of La Traviata with Panama City Symphony Orchestra. Ms. Boettcher was invited by the American Friends of the Donizetti Opera Festival to perform in an exclusive masterclass event with tenor extraordinaire Javier Camarena. She also joined the Washington Opera Society at the French Embassy in Washington D.C. to perform a concert of “Opera Classics”. Ms. Boettcher also performed the role of Charlene in John de los Santos’ new work Service Provider with Amelia Island Opera. Later in the season she reprised the role of Donna Elvira in Don Giovanni for her company debut with Gulf Shore Opera.
In the 2021/22 season, Ms. Boettcher recently enjoyed a successful residency with Palm Beach Opera as a Benenson Young Artist. During her time with PBO she portrayed the roles of Frasquita in Carmen and Belinda in Dido & Aeneas, as well as covering Adina in L’elisir d’Amore and Valencienne in The Merry Widow. For the 2022 summer season, Ms. Boettcher joined the roster of America’s “premier summer opera festival” at Santa Fe Opera as an Apprentice Artist. There she performed the title role in a scene from Rossini’s Armida in the Apprentice Artist Scenes Concert.
In the spring of 2021 Ms. Boettcher joined Opera Theatre of St. Louis for their season as a Gerdine Young Artist. During her time with OTSL she covered acclaimed soprano Patricia Racette in the role of Elle in Francis Poulenc’s riveting one-woman opera, La voix humaine, along with performing an excerpt from La Traviata, singing the role of Violetta Valéry, for the company’s Center Stage Concert.
Ms. Boettcher earned her bachelor’s degree from Viterbo University in La Crosse, Wisconsin, and attended Indiana University’s Jacobs School of Music for her master’s degree. During her time at the Jacobs School of Music, Ms. Boettcher studied with world-renowned soprano Carol Vaness, and debuted the roles of Donna Elvira in Mozart’s Don Giovanni and Adina in Donizetti’s L’elisir d’amore.
After concluding her studies in 2019, Ms. Boettcher joined Michigan Opera Theatre (now Detroit Opera) as the company’s resident soprano for the 2019/2020 season. The season opened with a stirring new production of Don Giovanni, in which Ms. Boettcher portrayed the feisty Zerlina – a performance which Opera News regarded Ms. Boettcher as “sweet, bubbly, and a joy to watch.” In the spring of 2020, she performed the role of Lauretta in the double bill of Gianni Schicchi and Michael Ching’s Buoso’s Ghost, praised by Encore Michigan for possessing “a genuine sweetness and perfect tone” in delivering the character’s iconic aria, “O mio babbino caro”.
In 2020’s summer season, Ms. Boettcher was scheduled to join Opera Theatre of St. Louis as a Gerdine Young Artist where she was to cover the title role in Carlisle Floyd’s Susannah as well as Lily in Tobias Picker’s new opera Awakenings. Regrettably, OTSL canceled their summer season due to COVID19; however, Ms. Boettcher was fortunate to join the other Gerdine Young Artists in a virtual program presented by OTSL which provided intensive individual sessions with renowned teachers and coaches from around the world, as well as publish featured virtual performances through their Front & Center series. After concluding the virtual season with OTSL, Ms. Boettcher traveled to New Hampshire to join Opera North’s Resident Artist Program where she debuted the role of Pamina in their production of Mozart’s beloved opera Die Zauberflöte. In the fall of 2020 she performed the role of Woglinde in Detroit Opera’s innovative adaption of Wagner’s Götterdämmerung (Twilight Gods), which the New York Times hailed as “a great triumph”.
Ms. Boettcher spent two summers with the Aspen Music Festival. She performed John Harbison’s Mirabai Songs and Mahler’s Symphony No. 4. with the Aspen Conductors Orchestra, in addition to performing as the featured soloist for the annual AMFS Benefit Gala. On the opera stage, she debuted the role of the Countess in Le Nozze di Figaro, under the baton of renowned conductor and musicologist Jane Glover, as well as excerpts from Rigoletto, Così fan tutte, La Traviata, and L’Elisir d’Amore in the Aspen Opera Center’s series of Opera Scenes Concerts. She also had the privilege of performing the title role in an excerpt from Massenet’s Manon in an orchestral masterclass concert led by world-famous soprano Renee Fleming.
On the concert stage, Ms. Boettcher has presented an array of works with orchestras around the world. She has performed contemporary pieces which include Fredrik Sixten’s Requiem and Tarik O’Regan’s Triptych with the Milwaukee Bel Canto Chorus, as well as more classical works such as aforementioned Mahler’s Symphony No.4., a semi-staged concert production of Die Zauberflöte with the Indianapolis Symphony Orchestra as Zweite Dame, Mozart’s Requiem with the Carmel Symphony, Handel’s Messiah with the Cairo Festival Orchestra in Egypt, and a selection of popular opera arias and ensemble scenes in a concert with the Detroit Symphony Orchestra.
Awards & scholarships Ms. Boettcher has received include the Artistic Excellence Fellowship, the Mavis McRae Crow Scholarship, and the Wilfred C. Bain Scholarship from Indiana University, the Helen & Lynton Caldwell Memorial Award and the First Place Prize Career Grant from the National Society of Arts and Letters in their vocal competition. She has also received the third place prize as a Regional Winner in the Central Region of the Metropolitan Opera National Council Auditions and the third place prize in the Emerging Professional Division of the International Classical Singer Competition. In 2021, Ms. Boettcher was selected as a semifinalist in the Lotte Lenya Competition, a finalist in the Partners for the Arts Competition, a finalist in the Music International Grand Prix Competition, and the First Place Grand Prize winner in the MIOpera Vocal Competition.
Program
Pyotr Illyich Tchaikovsky – Romeo and Juliet Fantasy Overture
Charles Gounod – Je veux vivre
Giuseppe Verdi – Caro nome
Giacomo Puccini – O mio babbino
Victor Herbert – Art is Calling for Me
Pietro Mascagni – Intermezzo from Cavalleria Rusticana
Gaetano Donizetti – Quel guardo il cavaliere
Antonin Dvorak – Song to the Moon
Franz Lehar – Meine lippen
*Avery Boettcher, soprano*
INTERMISSION
Sergei Prokofiev – Selections from Romeo and Juliet
